Robert Downey Jr. (Tony Stark/Iron Man)- What else can you say
about Downey’s performance as the brilliant, arrogant, billionaire inventor
turned super hero. Honestly, I don’t
think he’s doing much acting here if you know what I mean.
Chris Diamantopoulos (Moe Howard)/ The Three Stooges- While
Sean Hayes and Will Sasso did more than credible jobs as Larry and Curly, the
standout here was Diamantopoulos as Moe.
His mannerisms, facial
expressions, and physicality are classic Moe.
He hasn’t received nearly as much attention as he deserved for this.
Dane DeHaan (Andrew Detmer)/Chronicle- DeHaan’s performance
tells the sad tale of what a lonely, bullied teenager can do if he gains
incredible power. The power corrupts him
completely and DeHaan deserves credit for depicting Andrew’s slow descent into
madness. The most powerful scene? Andrew sitting cross-legged in a junkyard
telekinetically crushing a car while looking blankly into space. It’s sad and frightening at the same
time. I haven’t seen an expression like
that since Vincent D’Onofrio first showed signs of losing his grip on reality
in Full Metal Jacket.
Bradley Cooper (Pat Solitano)/Silver Linings Playbook-
Cooper really displayed some acting chops here playing the bipolar Pat with
both gut-wrenching and comic results. He
had great chemistry with his co-lead, Jennifer Lawrence. It was just an all-around enjoyable
performance.
Andrew Garfield (Peter Parker/Spider-Man)/The Amazing
Spider-Man- I have heard every excuse for why people don’t like this movie or
Garfield and very few of them have anything to do with the movie/performance
itself. Garfield is not Tobey
Maguire. That’s not a good or bad thing. It’s just different. Garfield plays the part edgier than Maguire
did while still retaining the character’s heroism and sense of
responsibility. If you have not seen
Garfield as Spider-Man, you are doing yourself a disservice.
Jason Statham (Luke Wright)/Safe- Statham is a double
nominee for me this year. In Safe, he
takes the lead role in what I believe is his most nuanced performance. Yes, it’s Statham, so there is slam-bang
action galore in the film, but I actually think he shows a little range as a
haunted ex-cop who finds a level of redemption protecting a young girl. I was impressed.
Daniel Craig (James Bond)/Skyfall- In my opinion, the ONLY
James Bond! I mentioned in my review of
Skyfall that Craig’s Bond does what he does out of a sense of duty, not because
he enjoys the life. You get the sense
that he would gladly do something else if it were an option. That’s what makes Craig’s Bond
different. That’s what makes him the
most layered James Bond there has ever been.
Karl Urban (Judge Dredd)/Dredd- The best part of Urban’s
performance is it’s not Sylvester Stallone’s awful portrayal of Dredd. All kidding aside, Urban plays the character
perfectly, grimly speaking his lines in the low growl that fits a no-nonsense
butt-kicker like the Judge. Another good
thing is he never removes his helmet to mug for the camera. More evidence that Urban at least took the
character a lot more seriously than his predecessor.
Sacha Baron Cohen (Admiral General Haffaz Aladeen)/The
Dictator- Pure comedic roles are rarely recognized by the Academy,
particularly, completely raunchy ones.
Genius, madman (very likely both), Cohen is bad taste personified. And you know what else he is? Extremely funny!
Denzel Washington (“Whip” Whitaker)/Flight- Washington’s
rendition of an airline pilot struggling with alcoholism is gut-wrenching and
hard to watch because his character can never quite get his act together. There aren’t many actors that could have
brought home a performance that elicits an equal amount of sympathy and
disgust. Washington pulls it off.
Seth MacFarlane (Ted)/Ted- OK, I admit this is way outside
the box, especially since we are only talking about MacFarlane’s voice. However, the rude, crude, lewd teddy bear
come to life is arguably the best creation of 2012. And MacFarlane’s irreverent humor proves he
still knows how to be funny even if he doesn’t do it with Family Guy
consistently any longer.
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